There is a particular kind of silence in the late works of Johannes Brahms. It is not dramatic. It does not ask for attention. It lingers. On March 1, MF Editions releases two of Brahms’ most intimate piano works in transcription for classical guitar: Intermezzo, Op. 117 No. 1 Intermezzo, Op. 118 No. 2 Transcribed by Carlo Marchione. Both works belong to the final creative period of the composer. Written in the early 1890s, they reveal a voice turned inward — reflective, rest