A new edition has been added to the MF Editions catalogue: Capriccio in B minor, Op. 76 No. 2 by Johannes Brahms, transcribed for classical guitar by Carlo Marchione. Part of Brahms’ Op. 76 collection, this Capriccio presents a more articulated and restless character than his later piano works. The music unfolds through a series of shifting gestures, where phrases evolve and redirect, creating a continuous sense of motion. Rather than relying on lyrical continuity, the piece

A new edition has been added to the MF Editions catalogue: Romanze in F major, Op. 118 No. 5 by Johannes Brahms, transcribed for classical guitar by Carlo Marchione. Composed in 1893, the Klavierstücke Op. 118 belong to Brahms’ late piano works — music of intimacy, refinement, and expressive restraint. The Romanze stands apart within the set for its lyrical continuity and warmth, unfolding as a single, unbroken melodic line. The piece is built on balance rather than contrast.

A new edition has been added to the MF Editions catalogue: Intermezzo in B minor, Op. 119 No. 1 by Johannes Brahms, transcribed for classical guitar by Carlo Marchione. Composed in 1893, the Intermezzi Op. 119 belong to Brahms’ final piano works — music of compression, introspection, and quiet intensity. The first of the set unfolds as an inward meditation, where melodic fragments emerge and dissolve within a shifting harmonic landscape. This new transcription brings the work

There is a particular kind of silence in the late works of Johannes Brahms. It is not dramatic. It does not ask for attention. It lingers. On March 1, MF Editions releases two of Brahms’ most intimate piano works in transcription for classical guitar: Intermezzo, Op. 117 No. 1 Intermezzo, Op. 118 No. 2 Transcribed by Carlo Marchione. Both works belong to the final creative period of the composer. Written in the early 1890s, they reveal a voice turned inward — reflective, rest